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Two Famous Spanish Painters

By Darren Hartley


Joan Miro paintings date back to 1901, when Joan was only 8 years old. Joan Miro i Ferra was a Catalan Spanish painter, sculptor and ceramicist.


The early Joan Miro paintings reflect the mixture of different trends, including the pure and brilliant colors used in Fauvism, the shapes from Cubism and the influences from folkloric Catalan art and Roman frescos from the churches.

In 1921, during a trip to Paris, Surrealism became a part of Joan Miro paintings. Little by little, Joan Miro paintings took interest in the object, in the form of collages. Engraving, lithography, water colors, pastels and paintings over copper were the other artistic forms that Joan Miro paintings started experimenting on. The Wall of the Moon and the Wall of the Sun were two ceramic murals that highlighted the Joan Miro paintings in this period. Both murals can be found in the Parisian UNESCO building.

Joan Miro paintings concentrated on monumental and public works by the end of the 60s. They were characterized by body language and freshness, special attention to material and stamp of informalism. They concentrated on the symbol emerging as the piece of work, disregarding representing theme. Joan Miro paintings are embodiments of Joan's very eccentric style, a unique approach to his artwork.

Contemporary upheavals were reflections of Goya paintings. Important 19th and 20th century painters were influenced by them. A consummate Spanish artist, Francisco De Goya y Lucientes was best known for his multifarious paintings, drawings and engravings.

Goya paintings are known for their scenes of violence, particularly those prompted by the French invasion of Spain, among which was the Disasters of War, a series of etchings that records the horrors of the Napoleonic invasion of Spain.

Considered masterpieces among Goya paintings are the Naked Maja and the Clothed Maja. Amidst Goya paintings can also be found charming portraits such as that of Senora Sabasa Garcia.

Because of his Goya paintings that showed a bold technique, haunting etching satires and a belief that the vision of an artist is far more important than tradition, Francisco was considered the first of the moderns. Based on their uncompromising portrayal of the times, Goya paintings marked the beginning of 19th century realism.

Fresco paintings for the local cathedral, done in decorative rococo tradition, were among the Goya paintings that established Francisco's artistic reputation. 1775-1792 was the most important period in the artistic development of Goya paintings. It was during this period that Francisco painted cartoons for the Madrid royal tapestry factory. Also done during the period were the first genre Goya paintings, a reflection of scenes from everyday life.




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