The DeGrazia paintings are lifelong appreciation of the native cultures in the Sonoran desert and passion for the creation of art depicting their lives and lore. The early DeGrazia paintings were created in Bisbee. In 1941, Raymond Carlson, editor of Arizona Highways, started to publish features about Ettore, nicknamed Ted by a schoolteacher in the Morenci High School.
Tucson galleries showed no interest in exhibiting appreciative DeGrazia paintings. This prompted Ted to buy an acre of land at Prince Road and Campbell Avenue to build his first adobe studio in 1944. The following year, Ted received a BFA and a Master of Arts titled Art and its Relation to Music in Art Education.
DeGrazia paintings became widely successful from 1960 to the mid 70s. Ted's gallery flourished with hundreds of thousands of yearly visitors. In 1976, a protestation against inheritance taxes on art works led Ted to haul 100 DeGrazia paintings on horseback and set them ablaze in the Superstition Mountains near Phoenix.
The mental illness Edvard Munch's father suffered from appears to be the root cause for the strong mental anguish displayed in the majority of Munch paintings. Brought up with impounding fears of hell, Edvard grew up with many repressed emotions that led to his work taking a deeper tone.
The term given to the style of Munch paintings was Symbolism. They were expressions of a personal sense of art, instead of an external view. They were representations of the inward feelings and repressed emotions of Edvard. In short, what you get is not what you actually see, when it comes to Munch paintings.
There was a period between 1892 and 1908 that Munch paintings took to tones and colors that were a bit more cheerful, compared to Edvard's past accomplishments. This was a time when Edvard showed an interest in nature. This colourful, playful and fun tone noted in his work was in complete opposition to the dark and somber style of his earlier career.
Tucson galleries showed no interest in exhibiting appreciative DeGrazia paintings. This prompted Ted to buy an acre of land at Prince Road and Campbell Avenue to build his first adobe studio in 1944. The following year, Ted received a BFA and a Master of Arts titled Art and its Relation to Music in Art Education.
DeGrazia paintings became widely successful from 1960 to the mid 70s. Ted's gallery flourished with hundreds of thousands of yearly visitors. In 1976, a protestation against inheritance taxes on art works led Ted to haul 100 DeGrazia paintings on horseback and set them ablaze in the Superstition Mountains near Phoenix.
The mental illness Edvard Munch's father suffered from appears to be the root cause for the strong mental anguish displayed in the majority of Munch paintings. Brought up with impounding fears of hell, Edvard grew up with many repressed emotions that led to his work taking a deeper tone.
The term given to the style of Munch paintings was Symbolism. They were expressions of a personal sense of art, instead of an external view. They were representations of the inward feelings and repressed emotions of Edvard. In short, what you get is not what you actually see, when it comes to Munch paintings.
There was a period between 1892 and 1908 that Munch paintings took to tones and colors that were a bit more cheerful, compared to Edvard's past accomplishments. This was a time when Edvard showed an interest in nature. This colourful, playful and fun tone noted in his work was in complete opposition to the dark and somber style of his earlier career.
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Want to find out more about appreciative DeGrazia paintings, then visit Darren Hartley's site on how to choose the best Munch paintings for your needs.
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