In the traditional Flemish style, Matisse paintings began as still lives and landscapes. They were completed with reasonable proficiency. Primarily known as a painter, Henri-Emile-Benoit Matisse was also a French poet, draughtsman, printmaker and sculptor.
The early Matisse paintings tended towards the gloomy, due to the fact that Henri used a dark palette in accomplishing them. It was a rebellious reputation that his first contemporary art experimentations garnered.
It was between 1897 and 1898 that Matisse paintings took a complete change of style with their introduction to Impressionism. The first masterpiece among the Matisse paintings was The Dinner Table, completed in 1897. It was considered radical with its impressionist aspects at the time.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Matisse paintings made color a crucial element, influenced by the works of the post-impressionists and Japanese art. They reconstructed Henri's own philosophy of still life, stretching it to a forced contemplation of the color surfaces, patterned to Paul Cezanne's fragmented planes.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
A Russian-French artist named Marc Zakharovich Chagall was considered the quintessential 20th century Jewish artist. Marc Chagall paintings exhibited fabulous and metaphoric images on everyday life. This was clearly manifested in Marc's early works including Birth, The Deal and A Holy Family.
Marc Chagall paintings demonstrated a perfect feeling of colors and mastery of the Fauvism methods. They exemplified mastery of new trends and tendencies, including Cubism, Futurism and Orphism, reshaped in the Marc way, as depicted in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
Human grief and war hardships are the reflections in War. As a result of the intensification of the Jewish persecution, Marc Chagall paintings became strongly religious as can be gleamed from his works, Red Jew and Feast of the Tabernacles. Lyrical works filled with love towards a woman named Bella are the last 4 aforementioned Marc Chagall paintings.
The early Matisse paintings tended towards the gloomy, due to the fact that Henri used a dark palette in accomplishing them. It was a rebellious reputation that his first contemporary art experimentations garnered.
It was between 1897 and 1898 that Matisse paintings took a complete change of style with their introduction to Impressionism. The first masterpiece among the Matisse paintings was The Dinner Table, completed in 1897. It was considered radical with its impressionist aspects at the time.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Matisse paintings made color a crucial element, influenced by the works of the post-impressionists and Japanese art. They reconstructed Henri's own philosophy of still life, stretching it to a forced contemplation of the color surfaces, patterned to Paul Cezanne's fragmented planes.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
A Russian-French artist named Marc Zakharovich Chagall was considered the quintessential 20th century Jewish artist. Marc Chagall paintings exhibited fabulous and metaphoric images on everyday life. This was clearly manifested in Marc's early works including Birth, The Deal and A Holy Family.
Marc Chagall paintings demonstrated a perfect feeling of colors and mastery of the Fauvism methods. They exemplified mastery of new trends and tendencies, including Cubism, Futurism and Orphism, reshaped in the Marc way, as depicted in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
Human grief and war hardships are the reflections in War. As a result of the intensification of the Jewish persecution, Marc Chagall paintings became strongly religious as can be gleamed from his works, Red Jew and Feast of the Tabernacles. Lyrical works filled with love towards a woman named Bella are the last 4 aforementioned Marc Chagall paintings.
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