House is a genre of music that has evolved over the years to have different variations of it to satisfy different clicks of people but in modern times those sub-genres within a genre now border on becoming their own genre. When you plan to have a party where to chill and enjoy a live performance of Philadelphia Private Party Bands, consider female reggae artist and make up a unique event.
Throughout history, females have had it hard, even more so if they happen to be women of color. Music has always been an outlet to allow those who have no voice, per say, to speak out or at the very least, unleash emotion in a manner that doesn t resort to destruction. But even in this sacred space, women find themselves at yet another hurdle to overcome.
Reggae and the subsequent subgenres that have emerged as a result have always been a male-dominated industry. Be it as a result of chance or circumstance, lyrics fuelled by lust and objectification seemed to resonate with the masses and persist long enough for it to become the norm. But in doing so, have made females seen in a limited light okay.
Female artists still find themselves at a disadvantage. Although, this genre of music is welcoming with regard to working in it. One thing that seems to be a hurdle is relatability for a female audience as popular songs are littered with misogynistic fuelled messages about women, who are sexualized by male artists.
Music is not enjoyed in isolation. Dance accompanies the tunes on the dancefloor or wherever its played as its only natural to dance to music. Trends that place women in a state of physical danger like the infamous daggering dance end up resulting in the more feminine out of the two dance partners nursing some physical bruises that could have unsavory.
In recent years, women who are committed to the genre have made strides in breaking down the barriers that have stunted their growth as performers in the past. And in doing so, are slowly turning the tides in the skewed male to female ratio of performers. With time it should level out if things continue to progress at the rate that they currently do.
The best example of this is by referring to such women as Delilah in songs. Equating her to the biblical figure who was viewed as a temptress and the source of Samson s downfall.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
Throughout history, females have had it hard, even more so if they happen to be women of color. Music has always been an outlet to allow those who have no voice, per say, to speak out or at the very least, unleash emotion in a manner that doesn t resort to destruction. But even in this sacred space, women find themselves at yet another hurdle to overcome.
Reggae and the subsequent subgenres that have emerged as a result have always been a male-dominated industry. Be it as a result of chance or circumstance, lyrics fuelled by lust and objectification seemed to resonate with the masses and persist long enough for it to become the norm. But in doing so, have made females seen in a limited light okay.
Female artists still find themselves at a disadvantage. Although, this genre of music is welcoming with regard to working in it. One thing that seems to be a hurdle is relatability for a female audience as popular songs are littered with misogynistic fuelled messages about women, who are sexualized by male artists.
Music is not enjoyed in isolation. Dance accompanies the tunes on the dancefloor or wherever its played as its only natural to dance to music. Trends that place women in a state of physical danger like the infamous daggering dance end up resulting in the more feminine out of the two dance partners nursing some physical bruises that could have unsavory.
In recent years, women who are committed to the genre have made strides in breaking down the barriers that have stunted their growth as performers in the past. And in doing so, are slowly turning the tides in the skewed male to female ratio of performers. With time it should level out if things continue to progress at the rate that they currently do.
The best example of this is by referring to such women as Delilah in songs. Equating her to the biblical figure who was viewed as a temptress and the source of Samson s downfall.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
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